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Thursday, April 18, 2019

WHAT IS THE AMERICAN SOCIETY OF CINEMATOGRAPHERS? (In the Entertainment industry.)

ASC Logo / Photo Credit: American Society of Cinematographers

WHAT IS THE AMERICAN SOCIETY OF CINEMATOGRAPHERS? (In the Entertainment industry.)         


What is the American Society of Cinematographers?   

The American Society of Cinematographers was founded in Hollywood in 1919 with the purpose of advancing the art and science of cinematography and bringing cinematographers together to exchange ideas, discuss techniques and promote the motion picture as an art form — a mission that continues today.

Members use the post-nominal letters "ASC". On the 1920 film titled Sand, cinematographer Joseph H. August, who was an original member of the ASC, became the first individual to have the "ASC" appear after his name on the onscreen credit.

Only film cinematographers and special effect supervisors are allowed to invited to become an ASC member. Some basic requirements include being a director of photography for a minimum five out of the last eight years before applying, having a highly regarded reputation, and being recommended by three active or retired ASC members.

In the early days of cinema, many directors of photography across the United States were faced with the same problem: big, ugly white streaks in their footage created by static electricity discharge created by their hand-cranked cameras. Instead working on their solutions in isolation, a two small groups of idealists, one located on each coast, came together to solve this and many other technical problems of the day.

They were the Cinema Camera Club, started by Edison cameramen Philip E. Rosen, Frank Kugler and Lewis W. Physioc in New York in 1913; and the Static Club of America, a Los Angeles-based society first headed by Universal cameraman Harry H. Harris.

From the beginning, the two clubs had a loose affiliation, and eventually the West Coast organization changed its name to the Cinema Camera Club of California. But even as the center of film production shifted from New York to Los Angeles, the western organization was struggling to stay afloat.


Phil Rosen came to Los Angeles in 1918. When he sought affiliation with the Cinema Camera Club of California, President Charles Rosher asked if he would help reorganize the association. Rosen sought to create a national organization, with membership by invitation and a strong educational component.

The reorganization committee met in the home of William C. Foster on Saturday, December 21, 1918, and drew up a new set of bylaws. The 10-member committee and five visitors were designated as the board of governors for the new organization. The next evening, in the home of Fred LeRoy Granville, the first officers for the American Society of Cinematographers were elected: Philip E. Rosen, president; Charles Rosher, vice-president; Homer A. Scott, second vice-president; William C. Foster, treasurer; and Victor Milner, secretary. The Society was chartered by the State of California on January 8, 1919.

The ASC’s declared purpose: to advance the art of cinematography through artistry and technological progress, and to cement a closer relationship among cinematographers to exchange ideas, discuss techniques and promote cinema as an art form.

The 15 original ASC members were Joe August, L.D. Clawson, Arthur Edeson, William C. Foster, Eugene Gaudio, Fred Le Roy Granville, Walter L. Griffin, J.D. Jennings, Roy H. Klaffki, Victor Milner, Robert S. Newhard, Philip E. Rosen, Charles G. Rosher, Homer A. Scott and L. Guy Wilky.

Sources, References & Credits: Google, Wikipedia, Wikihow, WikiBooks, Pinterest, IMDB, Linked In, Indie Wire, Film Making Stuff, Hiive, Film Daily, New York Film Academy, The Balance, Careers Hub, The Numbers, Film Maker, TV Guide Magazine, Blurb, Media Match, Quora, Creative Skill Set, Chron, Investopedia, Variety, No Film School, WGA, BBC, Daily Variety, The Film Agency, Best Sample Resume, How Stuff Works, Studio Binder, Career Trend, Producer's Code of Credits, Truity, Production Hub, Producers Guild of America, Film Connection, Variety, Wolf Crow, Get In Media, Production Beast, Sony Pictures, Warner Bros, UCAS, Frankenbite, Realty 101, Careers Hub, Screen Play Scripts, Elements of Cinema, Script Doctor, ASCAP, Film Independent, Any Possibility, CTLsites, NYFA, Future Learn, VOM Productions, Mad Studios, DP School, DGA, IATSE, ASC

THIS ARTICLE IS FOR INFORMATIONAL PURPOSES ONLY. THE INFORMATION IS PROVIDED "AS IS" AND BRUCE BISBEY MAKES NO EXPRESS OR IMPLIED REPRESENTATIONS OR WARRANTIES, INCLUDING WARRANTIES OF PERFORMANCE, MERCHANTABILITY, AND FITNESS FOR A PARTICULAR PURPOSE, REGARDING THIS INFORMATION. BRUCE BISBEY DOES NOT GUARANTEE THE COMPLETENESS, ACCURACY OR TIMELINESS OF THIS INFORMATION. YOUR USE OF THIS INFORMATION IS AT YOUR OWN RISK. YOU ASSUME FULL RESPONSIBILITY AND RISK OF LOSS RESULTING FROM THE USE OF THIS INFORMATION. BRUCE BISBEY WILL NOT BE LIABLE FOR ANY DIRECT, SPECIAL, INDIRECT, INCIDENTAL, CONSEQUENTIAL OR PUNITIVE DAMAGES OR ANY OTHER DAMAGES WHATSOEVER, WHETHER IN AN ACTION BASED UPON A STATUTE, CONTRACT, TORT (INCLUDING, WITHOUT LIMITATION NEGLIGENCE) OR OTHERWISE, RELATING TO THE USE OF THIS INFORMATION.

ASC Logo / Photo Credit: American Society of Cinematographers

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