PRODUCER OF MARKETING AND DISTRIBUTION
It's nearly been almost seven years since the concept of a
dedicated 'producer of marketing and distribution' was introduced by Jon Reiss.
Defining What A PMD Is. I think this is of critical
importance as this nascent crew position develops. A PMD is not just a social media
manager. To be a PMD a person must be
involved in all aspects of a film’s distribution and marketing, including
audience identification and engagement, creating a distribution and marketing
plan, budgeting that plan, creating marketing elements, creating and managing
other assets to help promote the film, etc. All of this in concert with the
filmmakers.
So, what is it? A Producer of Marketing and Distribution
takes charge of and directs the distribution and marketing process to achieve
the filmmaking team's goals. It is preferable for a PMD to start as early as
possible in the process.
The PMD is an essential crew position for independent
films — in my mind, as important as a director of photography. You can make a
film without a DP or a PMD (I have shot some of my films and been my own PMD),
but all films would be served by having both.
YOU NEED
DISTRIBUTION
Upwards of
98% of independent films do not get traditional all-rights distribution deals.
Even with a robust sales market, if the estimates are true that 35,000 - 50,000
films are produced every year, there is no way that traditional (and
non-traditional) distributors can handle that volume.
YOU WANT TO
KEEP THE CONTROL
Some
filmmakers do not want to give away or sell all of the rights to their film to
one company. Many companies are doing amazing jobs releasing films, but there
are many filmmakers who have become unhappy with how their previous films have
been released. Much more common is a split rights scenario where you run the
show (and you control your film’s destiny). You can choose the best and most
cost effective ways to release and market your film. But you need to do the
work. Someone needs to coordinate how the rights will work together, and make
sure that all rights that can be exercised are exercised in the proper way.
YOUR FILM
NEEDS TO STAND OUT FROM THE PACK
There is
greater competition for audiences than ever before. You are competing against nearly every piece
of entertainment, writing, or art ever created by humankind. The amount of
video uploaded to YouTube every minute is increasing exponentially. Three years
ago, 48 hours of video was uploaded every minute; at last report, more than 400
hours is now uploaded every minute. (That's 2,000 years of content every
month!)
YOU DON'T
HAVE TIME TO DO IT YOURSELF
Filmmakers
either don’t have the skills to promote and distribute their films or don’t
want to. Granted, there are many intrepid filmmakers who are engaging with this
process. Filmmakers don’t have the time to do this work. Many filmmakers know
they need to engage audiences before they have finished their films — or at
least start the process — but most say they don’t have time. On tight budgets
most producers are too busy to do this work. When a film is finished, many of
the team either need or want to move onto other projects. Sound familiar?
Sources,
References & Credits: Google, Wikipedia, Wikihow, Pinterest, IMDB, Linked
In, Indie Wire, Jason Brubaker, Film Making Stuff, Jon Reiss, Film Daily, The
Numbers, Film Maker Magazine, Mental Floss, Quora, Insider Monkey, Fast
Company, Investopedia, Variety, No Film School, Daily Variety, The Film Agency,
Sheri Candler, Film Campaign
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Extremely interesting, I can see all the work it would take to distribute a film. Cheers
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