WRITERS GUILD OF AMERICA… (In the Entertainment industry. What is the Writers Guild of America?)

Old Style Writers Typewriter / Photo Credit: Odyssey

WRITERS GUILD OF AMERICA… (In the Entertainment industry. What is the Writers Guild of America?)

Bruce Bisbey…please follow me at: https://dumbdogproductionsllc.blogspot.com or https://www.facebook.com/DumbDogProductionsLLC/ thank you.

Writers Guild of America

The Writers Guild of America is the joint efforts of two different US labor unions representing TV and film writers: 

• The Writers Guild of America, East (WGAE), headquartered in New York City. www.wgaeast.org/
• The Writers Guild of America, West (WGAW), headquartered in Los Angeles. www.wga.org/

Although each Guild runs independently, they perform some activities in parallel: 

• Writers Guild of America Award, an annual awards show with simultaneous presentations on each coast…
• WGA screenwriting credit system, determines how writers' names are listed during the credits…
• WGA script registration service, online services to prove when scripts were written and by whom…
• International Affiliation of Writers Guilds (IAWG), both Guilds belong to this international labor federation… 

THE WRITERS GUILD OF AMERICA, EAST (WGAE) is a labor union representing film and television writers as well as employees of television and radio news.

The Writers Guild of America, East is affiliated with the Writers Guild of America, West. Together the guilds administer the Writers Guild of America Awards. It is an affiliate of the International Federation of Journalists, the International Affiliation of Writers Guilds, and the AFL–CIO.

History

WGAE had its beginnings in 1912, when the Authors' League of America (ALA) was formed by some 350 book and magazine authors, as well as dramatists. In 1921, this group split into two branches of the League: the Dramatists Guild of America for writers of radio and stage drama and the Authors Guild for novelists and nonfiction book and magazine authors.

That same year, the Screen Writers Guild came into existence in Hollywood, California, but was "little more than a social organization", according to the WGAe's website, until the Great Depression of the 1930s and the growth of the organized labor movement impelled it to take a more active role in negotiating and guaranteeing writers' contractual rights and protections.

In 1933, the ALA and SWG joined forces, and two years later, with passage of the National Labor Relations Act of 1935, called for an election to represent writers of films in collective bargaining agreements; the first such agreement was signed in 1942. Meanwhile, the Radio Writers Guild was formed in New York and became part of the ALA.

A Television Writers Group within the ALA and a separate group, the Television Writers of America, each began representing writers for the nascent television industry beginning in the late 1940s. In 1951, the ALA reorganized into the Writers' Guild of America East and West, in recognition of the growing complexity of representing members in many different fields of entertainment writing. Writers working in motion pictures, TV and radio would be represented by these two new guilds, while the Authors Guild and the Dramatists Guild remained as branches of the ALA to represent print-media writers. The WGAW and WGAE have bargained for writers in movies, TV and radio since 1954.

The WGAE became affiliated with the AFL-CIO in 1989, although its sister group WGAW did not join and has not since.

On August 27, 2006, WGAE reached an agreement with the producers of The Daily Show with Jon Stewart, allowing writers on the show to become guild members.

THE WRITERS GUILD OF AMERICA WEST (WGAW) is a labor union representing film, television, radio, and new media writers. It was formed in 1954 from five organizations representing writers, including the Screen Writers Guild. It has around 20,000 members.

History

The Screen Writers Guild (SWG) was formed in 1921 by a group of ten screenwriters in Hollywood angered over wage reductions announced by the major film studios. The group affiliated with the Authors Guild in 1933 and began representing TV writers in 1948. In 1954, the SWG was one of five groups who merged to represent professional writers on both coasts and became the Writers Guild of America, East (WGAe) and West (WGAw). Howard J. Green and John Howard Lawson were the first two presidents during the SWG era. Daniel Taradash was president of the WGAw from 1977 to 1979.

In 1952, the Guild authorized movie studios to delete onscreen credits for any writers who had not been cleared by Congress, as part of the industry's blacklisting of writers with alleged Communist or leftist leanings or affiliations.

From March to August 1988, WGAw members were on strike against the major American television networks in a dispute over residuals from repeat airings and foreign/home video use of scripted shows and made-for-TV movies. The 22-week strike crippled American broadcast television and drove millions of viewers, disgusted with the lack of new scripted programming, to cable channels and home video, a blow to ratings and revenues from which, some industry watchers argue, the networks have never fully recovered.

In 2004, Victoria Riskin resigned as WGAw President after being accused by her opponent Eric Hughes during the 2003 election of using a sham writing contract to maintain her membership status. She was replaced by vice-president Charles Holland, who resigned a few weeks later when questions arose about statements he had made about his college football career and his claim of having secretly served in combat as a Green Beret, a claim his army records did not support. After Riskin's resignation, the U.S. Department of Labor investigated the sham contract and concluded that Riskin was indeed ineligible to run. The WGAw entered into a settlement by offering to re-run the election under DOL supervision. A new election was held in September 2004 between Eric Hughes and Daniel Petrie, Jr. which Petrie won.

Sources, References & Credits: Google, Wikipedia, Wikihow, Pinterest, IMDB, Linked In, Indie Wire, Film Making Stuff, Hiive, Film Daily, New York Film Academy, The Balance, The Numbers, Film Maker, TV Guide Magazine, Media Match, Quora, Creative Skill Set, Investopedia, Variety, No Film School, Daily Variety, The Film Agency, Best Sample Resume, How Stuff Works, Career Trend, Producer's Code of Credits, Producers Guild of America, Film Connection, Entertainment Careers, Adhere Creative, In Deed, Glass Door, Pay Scale, Merriam-Webster, Job Monkey, Studio Binder, The Collective, Production Hub, The Producer's Business Handbook by John J. Lee Jr., Honathaner, Eve Light. The Complete Film Production Handbook, "Writers Guild of America West", www.wga.org/, www.wgaeast.org/,

THIS ARTICLE IS FOR INFORMATIONAL PURPOSES ONLY. THE INFORMATION IS PROVIDED "AS IS" AND BRUCE BISBEY MAKES NO EXPRESS OR IMPLIED REPRESENTATIONS OR WARRANTIES, INCLUDING WARRANTIES OF PERFORMANCE, MERCHANTABILITY, AND FITNESS FOR A PARTICULAR PURPOSE, REGARDING THIS INFORMATION. BRUCE BISBEY DOES NOT GUARANTEE THE COMPLETENESS, ACCURACY OR TIMELINESS OF THIS INFORMATION. YOUR USE OF THIS INFORMATION IS AT YOUR OWN RISK. YOU ASSUME FULL RESPONSIBILITY AND RISK OF LOSS RESULTING FROM THE USE OF THIS INFORMATION. BRUCE BISBEY WILL NOT BE LIABLE FOR ANY DIRECT, SPECIAL, INDIRECT, INCIDENTAL, CONSEQUENTIAL OR PUNITIVE DAMAGES OR ANY OTHER DAMAGES WHATSOEVER, WHETHER IN AN ACTION BASED UPON A STATUTE, CONTRACT, TORT (INCLUDING, WITHOUT LIMITATION NEGLIGENCE) OR OTHERWISE, RELATING TO THE USE OF THIS INFORMATION.