WHAT DOES A CGI RENDER WRANGLER? (In the Entertainment industry. What Does A What does a CGI Render Wrangler?)

Data - Render Wrangler / Photo Credit: Elsbeth - WordPress

WHAT DOES A CGI RENDER WRANGLER? (In the Entertainment industry. What Does A What does a CGI Render Wrangler?)     

Bruce Bisbey…please follow me at: https://dumbdogproductionsllc.blogspot.com or https://www.facebook.com/DumbDogProductionsLLC/ thank you.

What Does A CGI Render Wrangler Do?

Rendering is the pivotal process in CGI of turning computer data into a sequence of viewable images; the render wrangler is responsible for monitoring and controlling the rendering process, while also managing rendering priorities based on the needs of department supervisors and production management. Render wranglers can work on projects from the pre-visualization stage until the project is delivered for compositing, working with the CG department. As an entry-level position, becoming a render wrangler can be a great starting point for those desiring a career in computer animation.

Render Wranglers supervise the rendering process. In computer-generated imagery (CGI), rendering is the process of converting computer data and outputting it as a sequence of viewable images. Render Wranglers monitor and control the rendering process and manage the render farm. They can work on a project from previs (previsualization) at the start of production until the final material is delivered for compositing.

Rendering can be required in the planning stages and throughout production, including development and tests for models, animation, effects and lighting. Although Animators usually check their own work in progress, animation may need to be rendered to view subtle movements such as facial expressions. Render Wranglers deliver the final rendered computer-generated (CG) elements to Compositors.

Artists from various departments submit completed data for rendering. This is placed in a queue for Render Wranglers to prioritize the work and allocate machines. This can be anything from a few computers to a major render farm of, perhaps, a thousand machines. They continuously check the computers to ensure there are no technical problems which might interfere with a successful output.

Render Wranglers may receive directions from Producers, Supervisors, Coordinators or Resource Managers and have contact with artists in various CG departments, particularly to sort out problems that they are unable to resolve themselves. When they are new to the role, Render Wranglers can expect to shadow more senior colleagues for a limited period before starting on day shifts with supervision. With more experience, they can also expect to be assigned to night shifts. Rendering Departments work on Rota systems; there are usually three shifts over 24 hours so the job can involve anti-social hours.

This role offers a good opportunity to gain professional experience and acquire a broad based knowledge of CGI procedures within a production environment.

Duties

Life on the farm is always interesting for render wranglers. As supervisors of the rendering process, they are responsible for monitoring the render farm, whether that means just a few computers or hundreds. The data submitted by artists and from other departments must be managed and prioritized in order of importance by the render wrangler and assigned to particular computers for rendering. Organization is a large part of a render wrangler’s duties; he or she must manage materials as they come and go, name files when necessary, allocate them to the appropriate space on the server, and process them for transport to other facilities. Render wranglers must also be vigilant of the file space on the server and make sure that old or outdated renders are deleted and there remains enough space to continue working; backing up and restoring files is also a common task. It is the responsibility of render wranglers to ensure that the render process runs smoothly and is free of technical or other issues that may cause delays. If a problem is discovered, it is the responsibility of the render wrangler write a report on the issue and deliver recommendations to the artist or appropriate party; some wranglers can and do fix these issues themselves, though in larger CG houses this is uncommon. Because render wranglers have to move millions of files, knowledge of scripting can come in handy.

Skills & Education

While a degree is not required to become a render wrangler and appropriate and specialized training is sometimes enough, many are likely to have BS degrees in computer science, computer animation, or any variety of computer or art degrees. Programming expertise is a must; knowledge of the latest industry 3-D packages, as well as other applicable programs, is also common. Independent problem-solving, organizational, and managing abilities should be coupled with the render wrangler’s software knowledge and expertise. When combined with the ability to work well in teams and meet strict deadlines, there are few data they cannot wrangle.

What to Expect

As render wrangler is an entry-level position, you can expect to receive directions from a variety of superiors and work with many different personalities in all CG departments, from artists to resource managers. The main duty is to wrangle the cows—er, the data, to make sure that it is where it needs to be, healthy, and ready to move on to the next stop along the way. Many entry-level render wranglers shadow more senior wranglers for a spell before assuming supervisory roles. Rota systems, long hours, night shifts, low starting pay, and the often anti-social lifestyle of the computer geek should be taken into account when considering a job as a render wrangler, but it is a solid stepping stone into a great career in CG.

Sources, References & Credits: Google, Wikipedia, Wikihow, WikiBooks, Pinterest, IMDB, Linked In, Indie Wire, Film Making Stuff, Hiive, Film Daily, New York Film Academy, The Balance, The Numbers, Film Maker, TV Guide Magazine, Media Match, Quora, Creative Skill Set, Investopedia, Variety, No Film School, Daily Variety, The Film Agency, Best Sample Resume, How Stuff Works, Career Trend, Producer's Code of Credits, Truity, Production Hub, Producers Guild of America, Film Connection, Variety, Wolf Crow, Get In Media, Production Beast, Sony Pictures, Warner Bros, UCAS,

THIS ARTICLE IS FOR INFORMATIONAL PURPOSES ONLY. THE INFORMATION IS PROVIDED "AS IS" AND BRUCE BISBEY MAKES NO EXPRESS OR IMPLIED REPRESENTATIONS OR WARRANTIES, INCLUDING WARRANTIES OF PERFORMANCE, MERCHANTABILITY, AND FITNESS FOR A PARTICULAR PURPOSE, REGARDING THIS INFORMATION. BRUCE BISBEY DOES NOT GUARANTEE THE COMPLETENESS, ACCURACY OR TIMELINESS OF THIS INFORMATION. YOUR USE OF THIS INFORMATION IS AT YOUR OWN RISK. YOU ASSUME FULL RESPONSIBILITY AND RISK OF LOSS RESULTING FROM THE USE OF THIS INFORMATION. BRUCE BISBEY WILL NOT BE LIABLE FOR ANY DIRECT, SPECIAL, INDIRECT, INCIDENTAL, CONSEQUENTIAL OR PUNITIVE DAMAGES OR ANY OTHER DAMAGES WHATSOEVER, WHETHER IN AN ACTION BASED UPON A STATUTE, CONTRACT, TORT (INCLUDING, WITHOUT LIMITATION NEGLIGENCE) OR OTHERWISE, RELATING TO THE USE OF THIS INFORMATION.

Data - Render Wrangler / Photo Credit: Elsbeth - WordPress