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Saturday, June 15, 2019

SOME HISTORY OF MOVIE PALACES AND THE FIRST MOVIE PALACE? (In the Entertainment industry.)

Loews Palace Theater / Photo Credit: Washington Kaleidoscope

SOME HISTORY OF MOVIE PALACES AND THE FIRST MOVIE PALACE? (In the Entertainment industry.)  

Bruce Bisbey…please follow me at: https://dumbdogproductions.com/

Some history of Movie Palaces and the First Movie Palace? 

On April 14th 1914, the Mark Strand Theatre opens to the public in New York City.

Located at Broadway and 47th Street, in the heart of Manhattan’s Theater District, the theater was the creation of Mitchell L. Mark, who began his motion-picture career as a producer but later became an exhibitor.

Before 1914, motion-picture exhibitors had generally showcased their offerings behind modest storefronts, dubbed “nickelodeons” after the original Nickelodeon that opened in Pittsburgh in 1905. By contrast, the Mark Strand Theatre–later known simply as the Strand–was the first of the so-called “dream palaces,” called as such for their impressive size and luxuriously appointed interiors. The Strand seated around 3,000 people and boasted a second-floor viewing balcony and (in an architectural innovation at the time) a two-story rotunda where moviegoers could socialize before and after the presentation and during intermission.

A movie palace (or picture palace in the United Kingdom) is any of the large, elaborately decorated movie theaters built between 1914 and the 1940s. The late 1920s saw the peak of the movie palace, with hundreds opened every year between 1925 and 1930. With the advent of television, movie attendance dropped and many movie palaces were razed or converted into multiple screen venues or performing arts centers.

There are three architectural design types of movie palaces. First, the classical style movie palace, with its opulent, luxurious architecture; second, the atmospheric theatre which has an auditorium ceiling that resembles an open sky as a defining feature; and finally, the Art Deco theaters that became popular in the 1930s.

Designers
Eberson specialized in the subgenre of "atmospheric" theatres. His first, of the five hundred in his career, was the 1923 Majestic in Houston, Texas. The atmospherics usually conveyed the impression of sitting in an outdoor courtyard, surrounded by highly ornamented asymmetrical facades and exotic flora and fauna, underneath a dark blue canopy; when the lights went out, a specially designed projector, the Brenograph, was used to project clouds, and special celestial effects on the ceiling.

Lamb's style was initially based on the more traditional, "hardtop" form patterned on opera houses, but was no less ornate. His theaters evolved from relatively restrained neo-classic designs in the 1910s to those with elaborate baroque and Asian motifs in the late 1920s.

The movie palace's signature look was one of extravagant ornamentation. The theaters were often designed with an eclectic exoticism where a variety of referenced visual styles collided wildly with one another. French Baroque, High Gothic, Moroccan, Mediterranean, Spanish Gothic, Hindu, Babylonian, Aztec, Mayan, Orientalist, Italian Renaissance, and (after the discovery of King Tut's tomb in 1922) Egyptian Revival were all variously mixed and matched. This wealth of ornament was not merely for aesthetic effect. It was meant to create a fantasy environment to attract moviegoers and involved a type of social engineering, distraction, and traffic management, meant to work on human bodies and minds in a specific way. Today, most of the surviving movie palaces operate as regular theaters, showcasing concerts, plays and operas.

On the night before it debuted to the public, the Mark Strand Theatre held its opening-night gala, which the next day’s newspapers called “a sensation” (according to a 1938 retrospective on the Strand published in the New York Times) In addition to the feature presentation that night–The Spoilers, a drama starring William Farnum–the audience was treated to a performance by the Strand’s concert orchestra; The Neapolitan Incident, which the program called “a collaboration of the motion picture and song”; songs by the Strand Quartet; and a Keystone comedy short.

By 1916, the number of movie palaces in the United States had topped 21,000. Instead of a program of short films, these theaters would show a full-length feature presentation in order to charge patrons premium prices. The movie-palace boom (and the corresponding demise of the nickelodeons) marked the beginning of the rise of the studio system, which would dominate Hollywood from the 1920s into the 1950s.

Decline
Following World War II movie ticket sales began to rapidly decline due to the widespread adoption of television and mass migration of the population from the cities, where all the movie palaces had been built, and into the suburbs. The closing of most movie palaces occurred after United States v. Paramount Pictures, Inc. in 1948, which ordered all of the major film studios to sell their theaters. Most of the newly independent theaters could not continue to operate on the low admissions sales of the time without the financial support of the major studios and were forced to close.

References & Credits: Google, Wikipedia, Wikihow, WikiBooks, Pinterest, IMDB, Linked In, Indie Wire, Film Making Stuff, Hiive, History Channel, Film Daily, New York Film Academy, The Balance, Careers Hub, The Numbers, Film Maker, TV Guide Magazine, Blurb, Media Match, Quora, Creative Skill Set, Chron, Investopedia, Variety, No Film School, WGA, BBC, Daily Variety, The Film Agency, Best Sample Resume, How Stuff Works, Studio Binder, Career Trend, Producer's Code of Credits, Truity, Production Hub, Producers Guild of America, Film Connection, Variety, Wolf Crow, Get In Media, Production Beast, Sony Pictures, Warner Bros, UCAS, Frankenbite, Realty 101, Careers Hub, Screen Play Scripts, Elements of Cinema, Script Doctor, ASCAP, Film Independent, Any Possibility, CTLsites, NYFA, Future Learn, VOM Productions, Mad Studios, Rewire, DP School, Film Reference, DGA, IATSE, ASC, MPAA, HFPA, MPSE, CDG, AFI, Box Office Mojo, Rotten Tomatoes, Indie Film Hustle, The Numbers, Netflix, Vimeo, Instagram, Pinterest, Metacritic, Hulu, Reddit, NATO, Mental Floss, Slate, Locations Hub, Film Industry Statistics, History.com,

THIS ARTICLE IS FOR INFORMATIONAL PURPOSES ONLY. THE INFORMATION IS PROVIDED "AS IS" AND BRUCE BISBEY MAKES NO EXPRESS OR IMPLIED REPRESENTATIONS OR WARRANTIES, INCLUDING WARRANTIES OF PERFORMANCE, MERCHANTABILITY, AND FITNESS FOR A PARTICULAR PURPOSE, REGARDING THIS INFORMATION. BRUCE BISBEY DOES NOT GUARANTEE THE COMPLETENESS, ACCURACY OR TIMELINESS OF THIS INFORMATION. YOUR USE OF THIS INFORMATION IS AT YOUR OWN RISK. YOU ASSUME FULL RESPONSIBILITY AND RISK OF LOSS RESULTING FROM THE USE OF THIS INFORMATION. BRUCE BISBEY WILL NOT BE LIABLE FOR ANY DIRECT, SPECIAL, INDIRECT, INCIDENTAL, CONSEQUENTIAL OR PUNITIVE DAMAGES OR ANY OTHER DAMAGES WHATSOEVER, WHETHER IN AN ACTION BASED UPON A STATUTE, CONTRACT, TORT (INCLUDING, WITHOUT LIMITATION NEGLIGENCE) OR OTHERWISE, RELATING TO THE USE OF THIS INFORMATION.

Loews Palace Theater / Photo Credit: Washington Kaleidoscope

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