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Dumb Dog Production is a full-service Film Production Company. We hope you find the site informational and answers any questions you might have about the entertainment industry.

We do not claim that this site is a be all and means to an end, but to help guide and learn how the entertainment industry work.

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Thank you,

Sherri (Bisbey) Rowe / Bruce Bisbey / James Bisbey

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SUN TZU QUOTE...“Strategy without tactics is the slowest route to victory. Tactics without strategy is the noise before defeat.”

Wednesday, September 25, 2019

WHAT IS AN UNDERSTUDY IN FILM/THEATER? (In the Entertainment industry.)

Understudy / Photo Credit: Columbia

WHAT IS AN UNDERSTUDY IN FILM/THEATER?  (In the Entertainment industry.)  

Bruce Bisbey…please follow me at: https://dumbdogproductions.com/
    


Understudy - A performer hired to do a role only if the featured actor is unable to perform; used primarily in theater.

In theater, an understudy, referred to in opera as cover or covering, is a performer who learns the lines and blocking or choreography of a regular actor or actress in a play. Should the regular actor or actress be unable to appear on stage because of illness, injury, emergencies or death, the understudy takes over the part. Usually when the understudy takes over, the theater manager announces the cast change prior to the start of the performance. Coined in 1874, the term understudy has more recently generally been applied only to performers who can back up a role, but still regularly perform in another role.

Performers who are only committed to covering a part and do not regularly appear in the show are often referred to as standbys and alternates. Standbys are normally required to sign in and remain at the theater the same as other cast members, although sometimes they may call in, until they are released by the production stage manager. If there is no doubt about the health of the actor being "covered," or there are no hazardous stunts to perform, a standby may be released at the first intermission, if not before. At times, standbys are required to stay within a certain area around the theater (10 blocks in New York City is a common standard). Today, the standbys must also have a cell phone so that at any time they can be called to the theater.

Alternates, like standbys, do not have a regular character in the production, but they are scheduled to go on for a physically and vocally challenging role for a certain number of performances a week. Examples of this are the title role in Evita, Christine in The Phantom of the Opera, and Peter Parker/Spider-Man in Spider-Man: Turn Off the Dark.

In musical theater, the term swing is often used for a member of the company who understudies several chorus and/or dancing roles. If an understudy fills in for a lead role, a swing acts the parts normally performed by the understudy. A super swing or universal swing is a swing who commutes around the country as needed to act in various productions of a widespread show.

In contrast, a prompt cues an actor while not personally being on the stage or in the spotlight.

References & Credits: Google, Wikipedia, Wikihow, WikiBooks, Pinterest, IMDB, Linked In, Indie Wire, Film Making Stuff, Hiive, History Channel, Film Daily, New York Film Academy, The Balance, Careers Hub, The Numbers, Film Maker, Film Site, TV Guide Magazine, Blurb, Media Match, Quora, Creative Skill Set, Chron, Investopedia, Variety, No Film School, WGA, BBC, Daily Variety, The Film Agency, Best Sample Resume, How Stuff Works, Studio Binder, Career Trend, Central Casting, Producer's Code of Credits, Truity, Production Hub, Producers Guild of America, Film Connection, Variety, Wolf Crow, Get In Media, Production Beast, Sony Pictures, Warner Bros, UCAS, Frankenbite, Realty 101, Careers Hub, Screen Play Scripts, Elements of Cinema, Script Doctor, ASCAP, Film Independent, Any Possibility, CTLsites, NYFA, Future Learn, VOM Productions, Mad Studios, Rewire, DP School, Film Reference, DGA, IATSE, ASC, MPAA, HFPA, MPSE, CDG, AFI, Box Office Mojo, Rotten Tomatoes, Indie Film Hustle, The Numbers, Netflix, Vimeo, Instagram, Pinterest, Metacritic, Hulu, Reddit, NATO, Mental Floss, Slate, Locations Hub, Film Industry Statistics, Guinness World Records, The Audiopedia, Imagination for People, Literary Devices, Start Up Film Maker, On Post Modernism, The Guerrilla Rep Media, Indie Film Distribution, Filmmaker Freedom,

THIS ARTICLE IS FOR INFORMATIONAL PURPOSES ONLY. THE INFORMATION IS PROVIDED "AS IS" AND BRUCE BISBEY MAKES NO EXPRESS OR IMPLIED REPRESENTATIONS OR WARRANTIES, INCLUDING WARRANTIES OF PERFORMANCE, MERCHANTABILITY, AND FITNESS FOR A PARTICULAR PURPOSE, REGARDING THIS INFORMATION. BRUCE BISBEY DOES NOT GUARANTEE THE COMPLETENESS, ACCURACY OR TIMELINESS OF THIS INFORMATION. YOUR USE OF THIS INFORMATION IS AT YOUR OWN RISK. YOU ASSUME FULL RESPONSIBILITY AND RISK OF LOSS RESULTING FROM THE USE OF THIS INFORMATION. BRUCE BISBEY WILL NOT BE LIABLE FOR ANY DIRECT, SPECIAL, INDIRECT, INCIDENTAL, CONSEQUENTIAL OR PUNITIVE DAMAGES OR ANY OTHER DAMAGES WHATSOEVER, WHETHER IN AN ACTION BASED UPON A STATUTE, CONTRACT, TORT (INCLUDING, WITHOUT LIMITATION NEGLIGENCE) OR OTHERWISE, RELATING TO THE USE OF THIS INFORMATION.

Understudy / Photo Credit: Columbia

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