Dolly Tracks / Photo Credit: Disney - Kvibe
WHAT DOES A BEST BOY GRIP DO? (In
the Entertainment industry. What
Does a Best Boy Grip Do?)
What Does a Best Boy Grip Do?
The assistant to the key grip is the best boy,
responsible for supervising the department technicians. This moniker applies to
both male and female technicians, and is derived from the pre-union days of
film when the elevated rank was granted conditionally to the best and brightest
on the team.
Duties
The grip department on set is under the ultimate
management of the DP, and is responsible for elements of scenery, lighting and
camera movement. During preproduction the best boy may participate in ordering
rental equipment and expendables and hiring personnel. During principal
photography the key grip works closely with the DP to decide on the set-up and
equipment necessary for each shot; it is then the best boy’s task to manage the
crew in the use of light-cutting accessories like reflectors, gels, and diffusion
equipment; the placement and operation of camera dollies and cranes; and the
installation, movement, and strike of scenery.
The best boy also supervises crew through maintenance
and repair of equipment and tracks inventory. He or she is responsible for
ensuring that all rentals are returned on time, and that the right gear is in
the truck and ready for each shot on the day’s schedule. In the event that a
member of the crew is not pulling his or her weight, the best boy is tasked
with correcting the behavior, and may be required to terminate the individual’s
employment. Essentially, the best boy keeps the department running and the
equipment working, allowing the key grip to concentrate on the needs of the DP.
Skills & Education
It is not required, but a college degree in film and
television production is recommended. This education will give you both the
theoretical and practical understanding of production, a firm knowledge of the
gear, and experience that is invaluable to getting your first job. A grip
should be mechanically inclined, and carpentry skills are useful; also, a good
grasp of electricity is necessary. The International Alliance of Theatrical
Stage Employees is the union that represents these technicians. IATSE also
offers apprentice-training programs.
What to Expect
Grips work as freelancers on a per-project basis. In
television you may have the opportunity to work as a staff technician for the
series, or you may be contracted by episode. To rise to the rank of best boy,
you will need several credits to your name working in the grip department. The
contacts you make on each production are your first source of future gigs. Do
your best to develop a close working relationship with any key grip who is
willing to mentor you. If you are able to impress these veterans with your
strong work ethic, eagerness to learn, and passion, you stand a far better
chance of moving forward in your career. The best boy grip is expected to set
an example for the rest of the crew; you’ve got to take the long hours, extreme
environments, and stressful days with grace. You will make the key grip’s life
much easier if you keep the little stuff out of his or her hair. Put down
squabbles among the crew, anticipate needs, and always have the right tool for
the right job (remember, gaff tape fixes everything). Never go anywhere without
a Leatherman or Gerber, and always look for ways to work smarter, not harder.
You will be a rock star if you save the DP an hour of daylight because your
crew has the next shot’s rig prepped and standing by the second the director
calls “cut.”
Sources, References & Credits: Google, Wikipedia, Wikihow, WikiBooks,
Pinterest, IMDB, Linked In, Indie Wire, Film Making Stuff, Hiive, Film Daily, New
York Film Academy, The Balance, The Numbers, Film Maker, TV Guide Magazine, Media
Match, Quora, Creative Skill Set, Investopedia, Variety, No Film School, Daily
Variety, The Film Agency, Best Sample Resume, How Stuff Works, Career Trend,
Producer's Code of Credits, Truity, Production Hub, Producers Guild of America,
Film Connection, Variety, Wolf Crow, Get In Media,
THIS ARTICLE IS FOR INFORMATIONAL PURPOSES ONLY. THE INFORMATION IS
PROVIDED "AS IS" AND BRUCE BISBEY MAKES NO EXPRESS OR IMPLIED
REPRESENTATIONS OR WARRANTIES, INCLUDING WARRANTIES OF PERFORMANCE,
MERCHANTABILITY, AND FITNESS FOR A PARTICULAR PURPOSE, REGARDING THIS
INFORMATION. BRUCE BISBEY DOES NOT GUARANTEE THE COMPLETENESS, ACCURACY OR
TIMELINESS OF THIS INFORMATION. YOUR USE OF THIS INFORMATION IS AT YOUR OWN
RISK. YOU ASSUME FULL RESPONSIBILITY AND RISK OF LOSS RESULTING FROM THE USE OF
THIS INFORMATION. BRUCE BISBEY WILL NOT BE LIABLE FOR ANY DIRECT, SPECIAL,
INDIRECT, INCIDENTAL, CONSEQUENTIAL OR PUNITIVE DAMAGES OR ANY OTHER DAMAGES
WHATSOEVER, WHETHER IN AN ACTION BASED UPON A STATUTE, CONTRACT, TORT
(INCLUDING, WITHOUT LIMITATION NEGLIGENCE) OR OTHERWISE, RELATING TO THE USE OF
THIS INFORMATION.
Dolly Tracks / Photo Credit: Disney - Kvibe
No comments:
Post a Comment