A LOOK AT THE FANTASY FILM GENRE? (In the Entertainment industry.)

Lord of the Rings / Photo Credit: New Line Cinema - WingNut Films

A LOOK AT THE FANTASY FILM GENRE? (In the Entertainment industry.)  

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A look at the Fantasy Film Genre?

Fantasy film is a genre that incorporates imaginative and fantastic themes. These themes usually involve magic, supernatural events, or fantasy worlds. Although it is its own distinct genre, these films can overlap into the horror and science fiction genres.

The term "speculative fiction" is sometimes used to avoid making a distinction between various strands of fantasy, science fiction, and horror or to account for the considerable overlap among the three. While both science fiction and horror films are certainly types’ of fantasy, many would agree that each is distinct in its purview and that each operates differently in terms of themes, conflicts, and iconography.

Whereas science fiction relies on scientific paradigms, technologies, facts, and paraphernalia to create hypothetical but scientifically credible scenarios, fantasy is subject to no such restrictions. Fantasy does not need to convince the audience that its story is realistic—rather, it invites the audience to temporarily expand its credulity—hence the phrase so often associated with this genre, "the willing suspension of disbelief." Rather than appeal to science, fantasy favors magical or mystical explanations. Fantasy films are usually logically consistent, but their internal logic belongs to an imagined rather than a scientific world. Although the iconography of science fiction includes spaceships, computers, and ray-guns, a fantasy film is more likely to feature flying horses, crystal balls, or magic wands. In practice, however, many films are hybrids. For example, the science fiction film The Empire Strikes Back (1980) invokes no scientific premise to explain Yoda's mystical powers or Luke's mastery of the "the Force," a skill that defies logic and must be accessed through a kind of intuition. Likewise, E.T. the Extraterrestrial (1982) features an adorable alien whose ability to heal wounds seems more miraculous than medical.

A fantasy story is about magic or supernatural forces, rather than technology (as science fiction) if it happens to take place in a modern or future era. Depending on the extent of these other elements, the story may or may not be considered to be a "hybrid genre" series; for instance, even though the Harry Potter series canon includes the requirement of a particular gene to be a wizard, it is referred to only as a fantasy series.

Bangsian: A fantasy genre that concerns the use of famous literary or historical individuals and their interactions in the afterlife. It is named for John Kendrick Bangs, who often wrote in this genre.

Contemporary fantasy (also known as modern fantasy or indigenous fantasy): A subgenre of fantasy, set in the present day. These are used to describe stories set in the putative real world (often referred to as consensus reality) in contemporary times, in which magic and magical creatures exist, either living in the interstices of our world or leaking over from alternate worlds.

Urban fantasy: A subgenre of fantasy defined by place; the fantastic narrative has an urban setting. Many urban fantasies are set in contemporary times and contain supernatural elements. However, the stories can take place in historical, modern, or futuristic periods, as well as fictional settings. The prerequisite is that they must be primarily set in a city.

Dark fantasy: A subgenre of fantasy that can refer to literary, artistic, and filmic works that combine fantasy with elements of horror. The term can be used broadly to refer to fantastical works that have a dark, gloomy atmosphere or a sense of horror and dread and a dark, often brooding, tone.

Fables: A type of narration demonstrating a useful truth. Animals speak as humans, legendary, supernatural tale.

Fairy Tales: A literary genre about various magical creatures, environments, et cetera. Many fairy tales are generally targeted for children.

Hard fantasy: Fantasy where the magical elements are constructed in a logical and rational manner.

Epic/High fantasy: Mythical stories with highly developed characters and story lines. E.g. Malazan Book of the Fallen and The Lord of the Rings.

Heroic fantasy: subgenre of fantasy that chronicles the tales of heroes in imaginary lands. Frequently, the protagonist is reluctant to be a champion, is of low or humble origin, and has royal ancestors or parents but does not know it. Though events are usually beyond their control, they are thrust into positions of great responsibility where their mettle is tested in a number of spiritual and physical challenges.

Historical fantasy: a category of fantasy and genre of historical fiction that incorporates fantastic elements (such as magic) into the historical narrative.

Legends: Stories, oftentimes of a national hero or other folk figure, which have a basis in fact, but also contain imaginative material.

Magical girl: Popular in Japan, of girls who use magic in either their training, idol stardom or even to fight evil.

Mythic fiction: Literature that is rooted in, inspired by, or that in some way draws from the tropes, themes and symbolism of myth, folklore, and fairy tales.[3] The term is widely credited to Charles de Lint and Terri Windling. Mythic fiction overlaps with urban fantasy and the terms are sometimes used interchangeably, but mythic fiction also includes contemporary works in non-urban settings. Mythic fiction refers to works of contemporary literature that often cross the divide between literary and fantasy fiction.

Science fantasy: A story with mystical elements that are scientifically explainable, or that combine science fiction elements with fantasy elements. Note that science fiction was once referred to by this name, but that it no longer denotes that genre, and has somewhat fallen out of favor as a genre descriptor.

Sword and planet: A subgenre of science fantasy that features rousing adventure stories set on other planets, and usually featuring Earthmen as protagonists.

There is a fair amount of overlap between "Sword & Planet" and "planetary romance" though some works are considered to belong to one and not the other. In general, Planetary Romance is considered to be more of a Space Opera subgenre, influenced by the likes of A Princess of Mars yet more modern and technologically savvy, while Sword & Planet more directly imitates the conventions established by Burroughs in the Mars series.

Dying Earth: A sub-subgenre of science fantasy that takes place either at the end of life on Earth or the End of Time, when the laws of the universe themselves fail. More generally, the Dying Earth subgenre encompasses science fiction works set in the far distant future in a milieu of stasis or decline. Themes of world-weariness, innocence (wounded or otherwise), idealism, entropy, (permanent) exhaustion/depletion of many or all resources (such as soil nutrients), and the hope of renewal tend to pre-dominate.

Gaslamp fantasy: Fantasy's counterpart to steampunk, in which the settings are often Victorian or Edwardian socially or technologically, but with non-scientific elements or characters included.

Shenmo: A genre of fantasy that revolves around the gods and monsters of Chinese mythology.

Sword and sorcery: A blend of heroic fantasy, adventure, and frequent elements of the horrific in which a mighty barbaric warrior hero is pitted against both human and supernatural adversaries. Robert E. Howard, creator of Conan the Cimmerian, Kull of Atlantis, the Pictish king Bran Mak Morn, etc. is generally acknowledged as the founder of the genre, chiefly through his writings for Weird Tales and other 1920s and 1930s pulp magazines.

References & Credits: Google, Wikipedia, Wikihow, WikiBooks, Pinterest, IMDB, Linked In, Indie Wire, Film Making Stuff, Hiive, History Channel, Film Daily, New York Film Academy, The Balance, Careers Hub, The Numbers, Film Maker, TV Guide Magazine, Blurb, Media Match, Quora, Creative Skill Set, Chron, Investopedia, Variety, No Film School, WGA, BBC, Daily Variety, The Film Agency, Best Sample Resume, How Stuff Works, Studio Binder, Career Trend, Producer's Code of Credits, Truity, Production Hub, Producers Guild of America, Film Connection, Variety, Wolf Crow, Get In Media, Production Beast, Sony Pictures, Warner Bros, UCAS, Frankenbite, Realty 101, Careers Hub, Screen Play Scripts, Elements of Cinema, Script Doctor, ASCAP, Film Independent, Any Possibility, CTLsites, NYFA, Future Learn, VOM Productions, Mad Studios, Rewire, DP School, Film Reference, DGA, IATSE, ASC, MPAA, HFPA, MPSE, CDG, AFI, Box Office Mojo, Rotten Tomatoes, Indie Film Hustle, The Numbers, Netflix, Vimeo, Instagram, Pinterest, Metacritic, Hulu, Reddit, NATO, Mental Floss, Slate, Locations Hub, Film Industry Statistics, Guinness World Records, The Audiopedia, Imagination for People,

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Lord of the Rings / Photo Credit: New Line Cinema - WingNut Films