Experimental Film / Photo Credit: Slide Share
WHAT IS EXPERIMENTAL FILM? (In
the Entertainment industry.)
What is Experimental Film?
Experimental film, experimental
cinema or avant-garde cinema is a mode of filmmaking that rigorously
re-evaluates cinematic conventions and explores non-narrative forms and
alternatives to traditional narratives or methods of working. Many experimental
films, particularly early ones, relate to arts in other disciplines: painting, dance,
literature and poetry, or arise from research and development of new technical
resources.
While some experimental films have
been distributed through mainstream channels or even made within commercial
studios, the vast majority have been produced on very low budgets with a
minimal crew or a single person and are either self-financed or supported
through small grants.
Experimental filmmakers generally
begin as amateurs, and some used experimental films as a springboard into
commercial film making or transitioned into academic positions. The aim of
experimental filmmaking is usually to render the personal vision of an artist, or
to promote interest in new technology rather than to entertain or to generate
revenue, as is the case with commercial films.
The term describes a range of
filmmaking styles that are generally quite different from, and often opposed
to, the practices of mainstream commercial and documentary filmmaking.
Avant-garde is also used, for the films shot in the twenties in the field of
history's avant-gardes currents in France, Germany or Russia, to describe this
work, and "underground" was used in the sixties, though it has also
had other connotations. Today the term "experimental cinema"
prevails, because it's possible to make experimental films without the presence
of any avant-garde movement in the cultural field.
While "experimental" covers
a wide range of practice, an experimental film is often characterized by the
absence of linear narrative, the use of various abstracting
techniques—out-of-focus, painting or scratching on film, rapid editing—the use
of asynchronous (non-diegetic) sound or even the absence of any sound track.
The goal is often to place the viewer in a more active and more thoughtful
relationship to the film. At least through the 1960s, and to some extent after,
many experimental films took an oppositional stance toward mainstream culture.
Most such films are made on very low
budgets, self-financed or financed through small grants, with a minimal crew
or, often a crew of only one person, the filmmaker. Some critics have argued
that much experimental film is no longer in fact "experimental" but
has in fact become a mainstream film genre. Many of its more typical
features—such as a non-narrative, impressionistic, or poetic approaches to the
film's construction—define what is generally understood to be
"experimental".
References & Credits: Google, Wikipedia, Wikihow, WikiBooks,
Pinterest, IMDB, Linked In, Indie Wire, Film Making Stuff, Hiive, History
Channel, Film Daily, New York Film Academy, The Balance, Careers Hub, The
Numbers, Film Maker, TV Guide Magazine, Blurb, Media Match, Quora, Creative
Skill Set, Chron, Investopedia, Variety, No Film School, WGA, BBC, Daily
Variety, The Film Agency, Best Sample Resume, How Stuff Works, Studio Binder, Career
Trend, Producer's Code of Credits, Truity, Production Hub, Producers Guild of
America, Film Connection, Variety, Wolf Crow, Get In Media, Production Beast, Sony
Pictures, Warner Bros, UCAS, Frankenbite, Realty 101, Careers Hub, Screen Play Scripts,
Elements of Cinema, Script Doctor, ASCAP, Film Independent, Any Possibility, CTLsites,
NYFA, Future Learn, VOM Productions, Mad Studios, Rewire, DP School, Film
Reference, DGA, IATSE, ASC, MPAA, HFPA, MPSE, CDG, AFI, Box Office Mojo, Rotten
Tomatoes, Indie Film Hustle, The Numbers, Netflix, Vimeo, Instagram, Pinterest,
Metacritic, Hulu, Reddit, NATO, Mental Floss, Slate, Locations Hub, Film
Industry Statistics, Guinness World Records, The Audiopedia
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Experimental Film / Photo Credit: Slide Share
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