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Dumb Dog Production is a full-service Film Production Company. We hope you find the site informational and answers any questions you might have about the entertainment industry.

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Thank you,

Sherri (Bisbey) Rowe / Bruce Bisbey / James Bisbey

Email: brucedumbdog@gmail.com Dumb Dog Production Phone: +1 319-930-7978 Dumb Dog Productions LLC / Bus Lic.: 5084725 https://dumbdogproductions.com/ https://dumbdogproductionsllc.blogspot.com/ https://www.facebook.com/DumbDogProductionsLLC/

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Monday, November 5, 2018

WHAT DOES A STORYBOARD ARTIST DO? (In the Entertainment industry. What does a Storyboard Artist Do?)

Storyboard Artist Studio Paint Layer / Photo Credit: Power Production Software

WHAT DOES A STORYBOARD ARTIST DO? (In the Entertainment industry. What does a Storyboard Artist Do?)                          

Bruce Bisbey…please follow me at: https://dumbdogproductionsllc.blogspot.com or   https://www.facebook.com/DumbDogProductionsLLC/ thank you.

What does a Storyboard Artist do? 

A storyboard artist visualizes stories and sketches frames of the story. Also called “story boarders,” storyboard artists work with producers, directors, and film crew from start to finish by sketching scenes during initial meetings, and editing or eliminating scenes as the project progresses.     

Storyboarding a script essentially transforms pages of dialogue and description into a comic book. Sequential single-frame illustrations are compiled to depict sequences or scenes that may be too complex to accurately describe in words alone. The director and other members of the production staff rely on storyboards to demonstrate camera angles and lay out shots that may require considerable post-production with the inclusion of visual effects. The storyboard serves as a guide for the director and DP, but also as a tool for the rest of the production staff in understanding the director’s vision.

Duties
The storyboard artist is hired during pre-production. He or she works with the director to break down the script and identify specific scenes or sequences that must be storyboarded. Rarely will a director elect to have the entire script laid out in such a fashion. Instead, the artist is charged with rendering (on paper) scenes that involve complex action sequences, intricate camera movements, fights, chases, or computer-generated effects. The director will outline for the artist the particular requirements of each shot, giving additional information concerning camera angles, sets, vehicles, etc. The time taken to sketch out these scenes saves the production the cost of shooting unnecessary or unusable footage and allows for better logistical planning ahead of principal photography. In the storyboards, the director is able to work out the kinks. The artist may elect to use pen and pencil to illustrate the storyboards, or any number of computer applications specifically designed for use on film and television productions.

Depending on the project, the storyboard artist may work in the art department offices on the studio lot of a feature film or television show, or may work at home on deadline to deliver completed illustrations. The advantage to working alongside other art department staff in pre-production is proximity to senior staff like the production designer or art director if questions arise. In the design offices, the artist typically has access to scale models and other materials that offer inspiration and reference for the storyboard layouts. The more specific and detailed each cell (single frame) is, the more useful the storyboard is to the director.

Skills & Education
A college degree in fine art or film and television production is recommended. This career demands a proficient illustrator who is also capable of capturing the key moments of a story in an expressive and dynamic fashion. It is not enough to simply draw two people in a frame; the cell must consider camera angles, lighting, and the tension of the scene. Courses in traditional illustration and photography are beneficial, as well as the study of creative writing and the foundations of story. Because the storyboard artist must work under the direction of others, this person should be capable of working in cooperative teams and able to translate another’s abstract ideas into clear visual representations.

What to Expect
Quick pencil drawings and marker renderings are two of the most common traditional techniques, although nowadays Adobe Flash, Adobe Photoshop, Storyboard Pro, and other storyboard applications are often used. The digital camera is one of the latest techniques in creating storyboards.

Most storyboard artists nowadays begin and finish their work on computers using software and digital pencils or a graphics tablet. Storyboard artists may use photos to create visuals where stock photos or photos taken specifically for the project are put together digitally to produce a photographic representation called a photo visual.

For motion pictures, some filmmakers, directors, and producers choose to use clip-art computer programs designed to create storyboards, or use a dedicated 3D storyboarding software, or a more multi-purpose 3D program which can also be used to create elements of the storyboards.

The process of storyboarding and the latitude given to the artist will depend greatly on the director. Some directors take a very prescriptive approach, precisely detailing for the artist the exact shots and framing to be depicted and used as a reminder on set. Others may allow the artist creative freedom to interpret the script with additional input. Most important to maintaining a positive working relationship with the director is the ability of the storyboard artist to adapt and play by the employer’s rules. This is mainly a freelance career that depends on references and reputation to secure a gig. However, there are opportunities to work in-house at a production design studio that is then contracted by the producer and director to work on a project. The first step is to obtain employment (freelance or otherwise) in any area of the art department on a film or television product.

Sources, References & Credits: Google, Wikipedia, Wikihow, WikiBooks, Pinterest, IMDB, Linked In, Indie Wire, Film Making Stuff, Hiive, Film Daily, New York Film Academy, The Balance, Careers Hub, The Numbers, Film Maker, TV Guide Magazine, Blurb, Media Match, Quora, Creative Skill Set, Chron, Investopedia, Variety, No Film School, WGA, BBC, Daily Variety, The Film Agency, Best Sample Resume, How Stuff Works, Career Trend, Producer's Code of Credits, Truity, Production Hub, Producers Guild of America, Film Connection, Variety, Wolf Crow, Get In Media, Production Beast, Sony Pictures, Warner Bros, UCAS, Frankenbite, Realty 101, Careers Hub, Sokanu, Raindance, Film Connection,

THIS ARTICLE IS FOR INFORMATIONAL PURPOSES ONLY. THE INFORMATION IS PROVIDED "AS IS" AND BRUCE BISBEY MAKES NO EXPRESS OR IMPLIED REPRESENTATIONS OR WARRANTIES, INCLUDING WARRANTIES OF PERFORMANCE, MERCHANTABILITY, AND FITNESS FOR A PARTICULAR PURPOSE, REGARDING THIS INFORMATION. BRUCE BISBEY DOES NOT GUARANTEE THE COMPLETENESS, ACCURACY OR TIMELINESS OF THIS INFORMATION. YOUR USE OF THIS INFORMATION IS AT YOUR OWN RISK. YOU ASSUME FULL RESPONSIBILITY AND RISK OF LOSS RESULTING FROM THE USE OF THIS INFORMATION. BRUCE BISBEY WILL NOT BE LIABLE FOR ANY DIRECT, SPECIAL, INDIRECT, INCIDENTAL, CONSEQUENTIAL OR PUNITIVE DAMAGES OR ANY OTHER DAMAGES WHATSOEVER, WHETHER IN AN ACTION BASED UPON A STATUTE, CONTRACT, TORT (INCLUDING, WITHOUT LIMITATION NEGLIGENCE) OR OTHERWISE, RELATING TO THE USE OF THIS INFORMATION.

Storyboard Artist Studio Paint Layer / Photo Credit: Power Production Software

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