SUN TZU QUOTE

Dumb Dog Production is a full-service Film Production Company. We hope you find the site informational and answers any questions you might have about the entertainment industry.

We do not claim that this site is a be all and means to an end, but to help guide and learn how the entertainment industry work.

Please do not hesitate to contact us for any questions.

Thank you,

Sherri (Bisbey) Rowe / Bruce Bisbey / James Bisbey

Email: brucedumbdog@gmail.com Dumb Dog Production Phone: +1 319-930-7978 Dumb Dog Productions LLC / Bus Lic.: 5084725 https://dumbdogproductions.com/ https://dumbdogproductionsllc.blogspot.com/ https://www.facebook.com/DumbDogProductionsLLC/

SUN TZU QUOTE...“Strategy without tactics is the slowest route to victory. Tactics without strategy is the noise before defeat.”

Saturday, May 25, 2019

WHAT IS THE PURPOSE OF A FILM FESTIVAL? (In the Entertainment industry.)

Festival de Cannes / Photo Credit: Sherri Bisbey Rowe

WHAT IS THE PURPOSE OF A FILM FESTIVAL? (In the Entertainment industry.)           

Bruce Bisbey…please follow me at: https://dumbdogproductions.com/

What is the purpose of a film festival?         

Film Festivals are a platform for film makers and distributors which serve many purposes from being a marketplace to promote social causes. Film festivals are a cultural showcase of the ideology of film makers. The appreciation received through film festivals encourages the film makers and motivates the budding talent.

Film festivals showcases unique and award winning movies which will further be classified for worthy movies and film makers. A good film maker seeks such events as an opportunity to share his film making skill and identity.

Local events and contests bring a film maker local popularity and more of opportunities to direct his next movie. If a movie competes with other international movies screened at international film festivals, the movie is progressing to the next level of film making.

To begin with, a film creator can start with short movie submissions to film festivals and grow up his career literally to the next part.

What does it mean to get "Official Selection" for a film festival? ... Festivals typically get 20 to 50 times as many films as they can show. A few (e.g. Sundance) get about 1,000 movies, but can only show about 30. Being selected for screening at the festival is a mark of how well vetted your film is.

Some festivals choose to focus on films of a particular genre, specific length or certain region, but the limited number of slots available for submissions tends to drum up demand regardless, especially among up-and-coming filmmakers.

Although the biggest festivals boast high-profile films and big-name stars, most are far from major moneymakers. In truth, most film festivals rely on a combination of ticket sales, membership fees and corporate sponsorship just to foot the bill for the festivities, with many even operating as nonprofit organizations. They truly represent a nexus for the whole of the film industry, bringing together members of the media, the creative talent behind and in front of the camera and business executives looking for the next project to take on.

The appeal for filmmakers is fairly clear, but you may still be wondering why audiences would take the time to attend a film festival. After all, what does such an experience offer that makes it any more appealing than just another trip to your local Cineplex?

Well, for starters, the lineup of films you’ll find at festivals is vastly different from the mainstream releases you’ll see in regular theaters. In some instances, festivals host the world premieres of promising new films several months before they officially hit theaters.

In other cases, festival audiences can see films that may not ever receive a proper theatrical run, due to their low-budget nature, a lack of famous actors or simply the challenges of getting distribution.

Because film festivals are attended by so many of the players involved in these productions, fans may have the opportunity to attend special screenings with filmmakers and actors in the room, often followed by question-and-answer sessions or in-depth discussions about what they’ve just screened.

In that way, festivals allow Cinephile’s to really engage in their passion for film like they rarely can elsewhere. No wonder many fests nowadays give out audience awards for the biggest crowd-pleasing film.

Sources, References & Credits: Google, Wikipedia, Wikihow, WikiBooks, Pinterest, IMDB, Linked In, Indie Wire, Film Making Stuff, Hiive, Film Daily, New York Film Academy, The Balance, Careers Hub, The Numbers, Film Maker, TV Guide Magazine, Blurb, Media Match, Quora, Creative Skill Set, Chron, Investopedia, Variety, No Film School, WGA, BBC, Daily Variety, The Film Agency, Best Sample Resume, How Stuff Works, Studio Binder, Career Trend, Producer's Code of Credits, Truity, Production Hub, Producers Guild of America, Film Connection, Variety, Wolf Crow, Get In Media, Production Beast, Sony Pictures, Warner Bros, UCAS, Frankenbite, Realty 101, Careers Hub, Screen Play Scripts, Elements of Cinema, Script Doctor, ASCAP, Film Independent, Any Possibility, CTLsites, NYFA, Future Learn, VOM Productions, Mad Studios, Rewire, DP School, DGA, IATSE, ASC, MPAA, HFPA, MPSE, CDG, AFI, Box Office Mojo, Rotten Tomatoes, The Numbers, Netflix, Vimeo, Instagram, Pinterest, Metacritic, Hulu, Reddit, Robert Yaniz Jr.

THIS ARTICLE IS FOR INFORMATIONAL PURPOSES ONLY. THE INFORMATION IS PROVIDED "AS IS" AND BRUCE BISBEY MAKES NO EXPRESS OR IMPLIED REPRESENTATIONS OR WARRANTIES, INCLUDING WARRANTIES OF PERFORMANCE, MERCHANTABILITY, AND FITNESS FOR A PARTICULAR PURPOSE, REGARDING THIS INFORMATION. BRUCE BISBEY DOES NOT GUARANTEE THE COMPLETENESS, ACCURACY OR TIMELINESS OF THIS INFORMATION. YOUR USE OF THIS INFORMATION IS AT YOUR OWN RISK. YOU ASSUME FULL RESPONSIBILITY AND RISK OF LOSS RESULTING FROM THE USE OF THIS INFORMATION. BRUCE BISBEY WILL NOT BE LIABLE FOR ANY DIRECT, SPECIAL, INDIRECT, INCIDENTAL, CONSEQUENTIAL OR PUNITIVE DAMAGES OR ANY OTHER DAMAGES WHATSOEVER, WHETHER IN AN ACTION BASED UPON A STATUTE, CONTRACT, TORT (INCLUDING, WITHOUT LIMITATION NEGLIGENCE) OR OTHERWISE, RELATING TO THE USE OF THIS INFORMATION.

Festival de Cannes / Photo Credit: Sherri Bisbey Rowe

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