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Monday, August 5, 2019

A LOOK AT SLAPSTICK COMEDY IN FILMS. (In the Entertainment industry.)

A Slap Stick / Photo Credit: Ziga

A LOOK AT SLAPSTICK COMEDY IN FILMS. (In the Entertainment industry.)  

Bruce Bisbey…please follow me at: https://dumbdogproductions.com/

A look at Slapstick Comedy in Films.

Slapstick Comedy

Slapstick, a type of physical comedy characterized by broad humor, absurd situations, and vigorous, usually violent action. The slapstick comic, more than a mere funnyman or buffoon, must often be an acrobat, a stunt performer, and something of a magician—a master of uninhibited action and perfect timing.

It is a style of humor involving exaggerated physical activity which exceeds the boundaries of normal physical comedy. The term arises from a device developed during the broad, physical comedy style known as commedia dell'arte in 16th-century Italy. The "slap stick" consists of two thin slats of wood, which make a "slap" when striking another actor, with little force needed to make a loud—and comical—sound. The physical slap stick remains a key component of the plot in the traditional and popular Punch and Judy puppet show.

Origins
The name "slapstick" originates from the Italian batacchio or bataccio — called the "slap stick" in English — a club-like object composed of two wooden slats used in commedia dell'arte. When struck, the batacchio produces a loud smacking noise, though little force transfers from the object to the person being struck. Actors may thus hit one another repeatedly with great audible effect while causing no damage and only very minor, if any, pain. Along with the inflatable bladder (of which the whoopee cushion is a modern variant), it was among the earliest special effects.

Early uses
Slapstick comedy's history is measured in centuries. Shakespeare incorporated many chase scenes and beatings into his comedies, such as in his play The Comedy of Errors. In early 19th-century England, pantomime acquired its present form which includes slapstick comedy, while comedy routines also featured heavily in British music hall theatre which became popular in the 1850s.

In film and television
A slapstick scene from the 1915 Charlie Chaplin film His New Job. Chaplin started his film career as a physical comedian, and his later work continued to contain elements of slapstick.
Building on its later popularity in the 19th and early 20th-century ethnic routines of the American vaudeville house, the style was explored extensively during the "golden era" of black and white, silent movies directed by figures Mack Sennett and Hal Roach and featuring such notables as Charlie Chaplin, Mabel Normand, Laurel and Hardy, the Marx Brothers, the Keystone Cops, The Three Stooges, and Chespirito. Silent slapstick comedy was also popular in early French films and included films by Max Linder, Charles Prince, and Sarah Duhamel.

Slapstick also became a common element in animated features starting in the 1930; examples include Disney's Goofy shorts, Walter Lantz's Woody Woodpecker, MGM's Tom and Jerry, the unrelated Tom and Jerry cartoons of Van Beuren Studios, Warner Bros. Looney Tunes/Merrie Melodies, MGM's Barney Bear, and Tex Avery's Screwy Squirrel. In some cases, such as MGM's Tom and Jerry, the slapstick elements mostly came from violence by the characters, while in others it was mostly due to mishaps.

Slapstick was later used in Japanese Tokusatsu TV Kamen Rider Drive as there several comedic episode scenes is shown.

Contemporary presence
Slapstick continues to maintain a presence in modern comedy that draws upon its lineage, running in film from Buster Keaton and Louis de Funès to Jerry Lewis and Mel Brooks to the television series Jackass and comedy movies by the Farrelly Brothers, and in live performance from Weber and Fields to Jackie Gleason to Rowan Atkinson. In England, slapstick was a main element of the Monty Python comedy troupe and in television series such as Fawlty Towers and The Benny Hill Show. Slapstick has remained a popular art form to the present day.

References & Credits: Google, Wikipedia, Wikihow, WikiBooks, Pinterest, IMDB, Linked In, Indie Wire, Film Making Stuff, Hiive, History Channel, Film Daily, New York Film Academy, The Balance, Careers Hub, The Numbers, Film Maker, Film Site, TV Guide Magazine, Blurb, Media Match, Quora, Creative Skill Set, Chron, Investopedia, Variety, No Film School, WGA, BBC, Daily Variety, The Film Agency, Best Sample Resume, How Stuff Works, Studio Binder, Career Trend, Producer's Code of Credits, Truity, Production Hub, Producers Guild of America, Film Connection, Variety, Wolf Crow, Get In Media, Production Beast, Sony Pictures, Warner Bros, UCAS, Frankenbite, Realty 101, Careers Hub, Screen Play Scripts, Elements of Cinema, Script Doctor, ASCAP, Film Independent, Any Possibility, CTLsites, NYFA, Future Learn, VOM Productions, Mad Studios, Rewire, DP School, Film Reference, DGA, IATSE, ASC, MPAA, HFPA, MPSE, CDG, AFI, Box Office Mojo, Rotten Tomatoes, Indie Film Hustle, The Numbers, Netflix, Vimeo, Instagram, Pinterest, Metacritic, Hulu, Reddit, NATO, Mental Floss, Slate, Locations Hub, Film Industry Statistics, Guinness World Records, The Audiopedia, Imagination for People,

THIS ARTICLE IS FOR INFORMATIONAL PURPOSES ONLY. THE INFORMATION IS PROVIDED "AS IS" AND BRUCE BISBEY MAKES NO EXPRESS OR IMPLIED REPRESENTATIONS OR WARRANTIES, INCLUDING WARRANTIES OF PERFORMANCE, MERCHANTABILITY, AND FITNESS FOR A PARTICULAR PURPOSE, REGARDING THIS INFORMATION. BRUCE BISBEY DOES NOT GUARANTEE THE COMPLETENESS, ACCURACY OR TIMELINESS OF THIS INFORMATION. YOUR USE OF THIS INFORMATION IS AT YOUR OWN RISK. YOU ASSUME FULL RESPONSIBILITY AND RISK OF LOSS RESULTING FROM THE USE OF THIS INFORMATION. BRUCE BISBEY WILL NOT BE LIABLE FOR ANY DIRECT, SPECIAL, INDIRECT, INCIDENTAL, CONSEQUENTIAL OR PUNITIVE DAMAGES OR ANY OTHER DAMAGES WHATSOEVER, WHETHER IN AN ACTION BASED UPON A STATUTE, CONTRACT, TORT (INCLUDING, WITHOUT LIMITATION NEGLIGENCE) OR OTHERWISE, RELATING TO THE USE OF THIS INFORMATION.


A Slap Stick / Photo Credit: Ziga

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