SUN TZU QUOTE

Dumb Dog Production is a full-service Film Production Company. We hope you find the site informational and answers any questions you might have about the entertainment industry.

We do not claim that this site is a be all and means to an end, but to help guide and learn how the entertainment industry work.

Please do not hesitate to contact us for any questions.

Thank you,

Sherri (Bisbey) Rowe / Bruce Bisbey / James Bisbey

Email: brucedumbdog@gmail.com Dumb Dog Production Phone: +1 319-930-7978 Dumb Dog Productions LLC / Bus Lic.: 5084725 https://dumbdogproductions.com/ https://dumbdogproductionsllc.blogspot.com/ https://www.facebook.com/DumbDogProductionsLLC/

SUN TZU QUOTE...“Strategy without tactics is the slowest route to victory. Tactics without strategy is the noise before defeat.”

Sunday, August 18, 2019

WHAT IS TIME BENDING IN FILM? (In the Entertainment industry.)

Bending Time / Photo Credit: Adiyogi

WHAT IS TIME BENDING IN FILM? (In the Entertainment industry.)  

Bruce Bisbey…please follow me at: https://dumbdogproductions.com/

What is Time Bending in Film?

Time Bending in Film

Time travel provides another way to shape reality and play "what if" games with society. Technologically created realities are often more authentic or desirable than the real world in film. Postmodernist film classification for works that articulate the themes and ideas of postmodernism through the medium of cinema. Hyperreality, in semiotics and postmodernism, is an inability of consciousness to distinguish reality from a simulation of reality, especially in technologically advanced postmodern societies.

Time Bending in Movies
Einstein proved that time is relative. But it’s movie-makers like Conor McDonnell who allow us to see the malleability of the fourth dimension. In “100 Second Week” McDonnnell reduces a journey spanning 168 hours to 100 seconds.

Time bending movies are stories that deliberately target the audience’s brain as their plaything, either by making us work through their abstract mysteries, or by pulling the rug from underneath the audience in its final moments, or taking us on a spiraling dream-like journey like no other film could.

Time bending in movies can be done in several ways. You can vary the frame rate to create slow motion, speeded up motion, and time-lapse cinematography. In “100 Second Week” McDonald using editing to achieve time compression. He simply creates short clips–essential moments captured at normal film rates–which he splices together.

This kind of time compression isn’t limited to movies. In the 1960s, sound artist Tony Schwartz created “Nancy Grows Up,” a 2-minute audio production that captured the growth of his niece over a period of 13 years.

Time compression doesn’t have to remain in the domain of professional filmmakers. It’s a technique that can allow even novices to produce all sorts of memorable videos ranging from travelogues (e.g., “My Hike Up Kilimanjaro in 60 Seconds”) to instructional pieces (“How to Paint a Garage Door in Two Minutes”) to sports photography (e.g., presenting all the key plays of a football game in half a minute).

Examples:
  • Altered States (1980)
  • Triangle (2009)
  • Predestination (2015)
  • Fight Club (1999)
  • Abre los Ojos (1997)
  • Identity (2003)
  • Mind Game (2004)
  • Primer (2004)
  • Cube (1997)
  • Gozu (2003)
  • Enemy (2013)
  • Enter the Void (2009)
  • Lost Highway (1997)
  • Videodrome (1983)
  • Donnie Darko (2001)
  • Stalker (1979)
  • Pi (1998)
  • 2001: A Space Odyssey (1968)
  • The Holy Mountain (1973)
  • The Cabinet of Dr Caligari (1920)
  • Persona (1966)
  • Synecdoche, New York (2008)
  • Brazil (1985)
  • The Prestige (2006)
  • Jacob’s Ladder (1990) 
References & Credits: Google, Wikipedia, Wikihow, WikiBooks, Pinterest, IMDB, Linked In, Indie Wire, Film Making Stuff, Hiive, History Channel, Film Daily, New York Film Academy, The Balance, Careers Hub, The Numbers, Film Maker, Film Site, TV Guide Magazine, Blurb, Media Match, Quora, Creative Skill Set, Chron, Investopedia, Variety, No Film School, WGA, BBC, Daily Variety, The Film Agency, Best Sample Resume, How Stuff Works, Studio Binder, Career Trend, Producer's Code of Credits, Truity, Production Hub, Producers Guild of America, Film Connection, Variety, Wolf Crow, Get In Media, Production Beast, Sony Pictures, Warner Bros, UCAS, Frankenbite, Realty 101, Careers Hub, Screen Play Scripts, Elements of Cinema, Script Doctor, ASCAP, Film Independent, Any Possibility, CTLsites, NYFA, Future Learn, VOM Productions, Mad Studios, Rewire, DP School, Film Reference, DGA, IATSE, ASC, MPAA, HFPA, MPSE, CDG, AFI, Box Office Mojo, Rotten Tomatoes, Indie Film Hustle, The Numbers, Netflix, Vimeo, Instagram, Pinterest, Metacritic, Hulu, Reddit, NATO, Mental Floss, Slate, Locations Hub, Film Industry Statistics, Guinness World Records, The Audiopedia, Imagination for People, Literary Devices, On Post Modernism, Conor McDonnell’s, Thor Magnusson

THIS ARTICLE IS FOR INFORMATIONAL PURPOSES ONLY. THE INFORMATION IS PROVIDED "AS IS" AND BRUCE BISBEY MAKES NO EXPRESS OR IMPLIED REPRESENTATIONS OR WARRANTIES, INCLUDING WARRANTIES OF PERFORMANCE, MERCHANTABILITY, AND FITNESS FOR A PARTICULAR PURPOSE, REGARDING THIS INFORMATION. BRUCE BISBEY DOES NOT GUARANTEE THE COMPLETENESS, ACCURACY OR TIMELINESS OF THIS INFORMATION. YOUR USE OF THIS INFORMATION IS AT YOUR OWN RISK. YOU ASSUME FULL RESPONSIBILITY AND RISK OF LOSS RESULTING FROM THE USE OF THIS INFORMATION. BRUCE BISBEY WILL NOT BE LIABLE FOR ANY DIRECT, SPECIAL, INDIRECT, INCIDENTAL, CONSEQUENTIAL OR PUNITIVE DAMAGES OR ANY OTHER DAMAGES WHATSOEVER, WHETHER IN AN ACTION BASED UPON A STATUTE, CONTRACT, TORT (INCLUDING, WITHOUT LIMITATION NEGLIGENCE) OR OTHERWISE, RELATING TO THE USE OF THIS INFORMATION.

Bending Time / Photo Credit: Adiyogi

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